Check out my new YouTube video, Interview with Howard Feigenbaum, produced by fellow author Jim Hitt. In this video I discuss my decision to become a writer and offer advice for those who wish to become writers.
When is a horse not a horse? When it’s a Paso Fino. Peruvian respect is profound for a breed of horse unique to the nation. The small, sturdy, smooth-gaited horse improved travel over long distances in mountainous terrain. Hacienda owners loved the Paso Fino. Why is this notable to me as a writer? The animal is a physical representation of social class. If I write about Peruvians, I should consider where someone fits in the power and economic structures of the country. The issue is part of the realistic detail that benefits the believability of fiction.
James Michener, in Hawaii, does that very thing. The development of his characters occurs within the context of where they fit in a tribal society meeting the modern era. The writer can show who characters are, not only by what they say and feel, but also by their social position.
Everyone has to be somewhere. Is that too obvious? Not to me as a writer. I feel an obligation to help the reader imagine the setting. The geography affects the ease or difficulty of movement. The flora, fauna and weather contribute to a sense of environment.
The Andes shape the use of South American countries. They are a barrier running down the interior of the nation. If you are wealthy, the range is something to be flown over. If you are not-so-rich, the bus trip can take days, or longer if landslides block the road. The isolation of the Incas and other native groups helped them evade the Spanish conquest. Native cultures still flourish at high altitudes. In Benny Goldfarb, Private “I”, the protagonists travel into the interior of Colombia. The detail of the story almost demanded the inclusion of a native group. In this case, the Paez tribe provides another point of view in Colombian society.